Okay, I just finished reading The Horse and His Boy (HHB) this morning. Bree is so delightfully annoying. He is so full of himself it's absurd! At the same time that I want to smack some sense into him, I also feel like I want to pat him on the back and tell him it's okay to feel inadequate. Most everyone is inadequate and very very few of us are great. Bree just has to get adjusted to the different surroundings and the different animals.
And contrary to my prediction about Bree and Hwin, they don't end up marrying one another. I find it truly hiliarious that Lewis would actually wrap up their story and explain what happened to these horses later on, and point out that they don't end up marrying one another, although they remain good friends. Isn't that just so hilarious? I think so.
I was keeping track of all the topics that I can write essays about. I know there must already be a lot of essays written about these topics, but instead of just passively reading other people's essays, I'd like to write some of my own. Before I do so, however, I'd have to do some more research and take notes. I'll use my blog as my notebook.
Topics:
1. Narrative Style - Lewis tells the story like he's a grandfather telling stories to his grandchildren. At some points in the story, it mentions that the story of HHB was actually recounted to the current narrator by characters like Bree and Shasta/Cor. I find the idea of a horse telling stories so hilarious. I'll be using this word a lot whenever I have to refer to Bree. Another thing I thought was worthy to note was the metafictional quality of the narration, such as when Bree debunks myths about horses that were taught to children through fantasy stories. This story itself is a fantasy story.
2. Background to Lewis' knowledge and love of animals - At some points in the story, I get the sense that Lewis would have been a great advocate of animals, especially horses.
3. Feminism as an emerging force in characterization - Hwin and Aravis are both very strong female characters in this book. Perhaps once I've read all 7 books, I will have a more complete picture of the female characters in the series. Perhaps only then will I be able to assess accurately Lewis' treatment of the Feminist topic in his stories.
4. Aravis and Shasta/Cor's characterization
5. Hwin and Bree's characterization
6. Race, the Other, and the Alienization of Persians, Arabs and Anglo-Saxons - This goes back to my very first thought about this book where I asked the question, "Does anyone find the basis of the story racist?" I suppose I should tweak that question so that it reads: What are some instances in the story that portray the Persian and Arabian cultures as the Other? What impact do they have on generating or perpetuating the alienization of Muslim and Christian peoples and cultures? How do they achieve that effect, if there is one? I do not dare to forget that Lewis comes from an educated British background, of which there inevitably would have to be certain facets that colour his view of the people of other nations and ethnic groups, not to mention the different religious beliefs. This colouring is a product of the upbringing and the time period in which Lewis lived. For this reason, I would not dare to call Lewis racist, but at the same time, I cannot read HHB and not see an underlying current of racial tension, subtle as it may be. This is something that I am very eager to explore in the near future.
7. Aslan as God
Some say that Aslan is more comparable to Christ, but the way he was portrayed in HHB, he appears to have more similarities with God. There's a saying that goes, "God works in mysterious ways." This saying came to mind frequently while reading HHB, especially every time the children and horses were being chased by the lion.
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